Tag Archives: Short Film.

Why I am doing five shorts this year.

Last Night a colleague of mine, Ron Borders  asked me “Instead of doing 5 shorts why not just do a feature?”  Which is a valid question, which deserves good answer.  First off I have never been to film school, so I do not have the experience of producing and making films that one who went to film school has.   For me it has all been OJT, reading and a lot of listening.  So for me, this is like a year of film school with 5 thesis projects plus a full length documentary on South Sudan.  I will make a lot of mistakes, learn a lot and at the end have a body of work to go off of.  So with that I will have a body of work that I can say to an investor “Here is what I have done, these are the awards I have gotten and yes I seem to know what I am doing. Please trust me with your money.” Also I have to think 5, 10 years down the road. What I mean is that with this year of short films it is a building block to the next level, which if you know me is all the above.  I want to produce and direct in whatever medium I can, meaning Film, TV, Web, Theater, Graphic Novel or in whatever it is.

Yes I have bitten off more than you or I can chew, but I do it knowing I can do it somehow.  I have a company I know I can grow. I have a vision for what I want kinds of material I want to produce and what kinds of people I want to work with.  I also want to be able to help other artist and filmmakers. Right now I am in Tampa and I want to help change the culture of film into something that is well respected and received.   So yes this is the year of short films but it is with a purpose.

 

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Big road ahead

This week has been the week of meetings.  Note to yourself, do them with people you enjoy being around. Makes it fun.

So I have a ton of work and am trying to figure out where and how to start.  I have a ton of research to do on a subject for a film I am producing.  I am teaching myself how to write a business plan so that I can write one for my production company as well as one for a film I am producing.  I need to start  searching for talent and a director for that film I need to write a business plan for;  and as soon as I have said business plan, talent and director I then need to go in search of the almighty investor.

Along with that, I have to do preproduction for a doc I am producing as well as do some social media for Grey Room.  Do not forget we will begin Crowdfunding for it in February.  I also have to come up with an article I need to write for the FMPTA news letter The Slate. Any suggestions? God knows I could use some. Also, if you want me to write about something please feel free to make suggestions. It would benefit me because I would have to go and research the topic.

Also,  with that I am running for Vice President For the Florida Motion Picture & Television Association Tampa Bay Chapter. FMPTA. If you are a member please vote for me. I will be writing as to why you should vote for me.

This is where I need to learn how to plan and organize my tasks. I am starting to learn about strategic planning, something that I think  you should learn if you are to be successful at filmmaking. There are proven tools that work and should be applied to your filmmaking skills.

 

 

 

 

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16 October 2012 Grey Room

Hello all,

I have some news about Grey Room.  As you may or not know we have had some problems getting our crowdfunding pitch video done. We have had audio issues with the first 3 attempts and finally yesterday we shot our 4th pitch and I know we got it. I will write more in detail about that however I, as the producer, take full responsibility for the delays and the pushing back of the dates.

Here is what is happening, we are pushing the crowdfunding campaign to 15 February 2013 and we begin shooting 13 April;  and here is why, we would have the pitch edited by Friday and then, depending if we need more editing, we would start next week.  Add 45 days of crowdfunding and that would bring us to the beginning of December; then 2 weeks of final per-production and then we would shoot. In the middle of December, and as you know Florida winters are unpredictable; it could be amazing gorgeous or it could be brutally cold.  We have a pool scene and we do not want our actresses freezing their asses off and possibly getting sick. It is just not worth it.  So what we have decided to push it back. However, this in many ways this is good; by the time the film is finished it will be time to be submitting film into the major film festivals.  Which is where we want to put Grey Room.

 

 

 

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Grey Room Trailer and Website. .

Ok I have decided to show the trailer to you all. I kind of have to if  I am to show you the website that our director Preston Walden designed. The trailer for our crowdfunding campaign.  As I have said before, we had a great time shooting this, and  I am really pleased with the outcome.

Check it out the website     http://www.greyroomfilm.com/

Oh and we got our first bit of Press.  The guys at Horrorbug    gave us our first bit of press.  It was a pleasant surprise to us and we look forward to having more.

Check it out

 

Let me know what you all think.

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Notes from the Grey Room 2

Hey guys. Sorry for not blogging for so long. I apologize for that.  Avoidance seems to effect me from time to time.

Ok so, here is what is going on. We shot the trailer, for the second time, and have it edited, scored and ready to go.  I am debating to show it here now or what until the crowd funding campaign.  We had a great time shooting it and I am pleased how well everyone gets along. It makes life so much easier when the troops are having fun and enjoying each others company.

Some great news about our 1st AD Semone Founillier. She was excepted into AFI”s Conservatory program for writing in California for her Masters. She is there now and will be flying back to Tampa to 1st AD Grey Room. If you remember, she is writing the film on rape for me. I have read what she has so far and it is amazing.   So we are extremely proud of her.

I am happy to announce our new Script Supervisor Mike Rembis.  He brings to our team a lot of experience and is taking care of our shooting schedule. Which takes a big load off my shoulders.  We have a great plan set up and it will allow us to shoot very efficiently.  We have a lot to cover in this film so we need to have a clear strategy to shoot it.  According to  Mike we can shoot this in 35 hours.  I think that is a great and doable  goal.

So now I am concentrating on Pre production and am beginning to research contracts. Yes we are doing contracts for a couple of reasons. One to protect all parties but also to get some experience in dealing with them.  I never have had to so this is a great opportunity for me.  I have one with Jason Cote.  We signed it at the Grey Room Party.

Oh Speaking of Jason, He just arrived to his new home town, LA. Yes he has moved to Hollywood to take his career as an editor to a professional level. Not saying you can’t do that here in Florida, but you can’t do that here in Florida.  It’s Florida.

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Grey Room

Grey Room
I have been asked by Preston Walden to produce his newest film “Grey Room.”
“Grey Room” a supernatural thriller that is the prequel to a feature in the works.  The thought is to make a great short film, build an audience and attract investors.  We are putting a lot of work and love into this film and want you all to come along this journey with us.
The premise of the film: What if the Mayan calendar didn’t predict the end, but the beginning of the end?  The short is about the lovely Susan Wilcox, who on a terrifying night alone, comes to discover who and what she really is.  Follow her into the unimaginable as it unfolds.
I will be giving you updates on our progress and the methodology behind the film.  We need your financial support as well your feedback on the film.  Without you have no film so please spread the word.  Our “Grey Room” Campaign and fundraising will kick off on the 14th of July. We will also be taking donations through CrowdFunding sources.  I know you will come through for us.
Thanks again people.
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Why I don’t do film competitions.

Here in my city, Tampa, Fl, there is the yearly competition in which you have to write, per-production, raise funds, audition, shoot, edit, and do post all in 30 days.   Sound fun right? Yes, if you are new to film or make films as a hobby. However, if you are serious about becoming a filmmaker and do it as a carer then this is  a complete waste of time. And here is why.

30 days to make a serious short film is just not enough time.  Will start with writing. You can bang out a script in a few days? It is done all the time, however you need to edit, rewrite and develop that script.  You need to take the time to develop the best script possible. You should also send it off to a script consultant and get their notes. I know many don’t but it is a good idea to do. This comes from people who do film making for a living.  That is a month you could have taken to develop that script.

Then comes funding raising. If you are fortunate enough to have the money sitting in the bank to shoot your film good for you. You are doing better than most.  It is true you could do a micro budget film, however it will show in the final product. Not to mention you can’t pay anyone who is working for  you.  Sure you could ask around for people to help out for free, and that seems to be a constant thing that happens in Tampa and something I will write about in the future, but are you going to get the best people who will do their best work? The best DP or editor, best lighting or sound? Just a question.  That 30 days could be used to raising capitol via Crowd funding and private investment.

Then comes pre-produciton.  Enough cannot be said about pre-producition. The more time you have to plan the better your odds are of making a successful film. Plan plan plan, is one of the biggest pieces of advice I get from successful filmmakers.  You need to take the time to think and plan out everything. That is a month that could be spent hashing out all the details.

Auditions. You should find the best actors you can find. You should take a thoughtful search for your talent. Sure you can go “hey you want to act in this thing I am doing?” and sure you might have some talented people come work for you. But don’t you think you would be better served if you took the time to look and hold auditions and find the best actors for those role.  Take the time to do rehearsals and table reads?

Post. Do you think you’ll have the best edit, color correction, sound and whatever visual effects and whatever else is needed in just a  week or two. Is it really the best cut you can have? Do you have time to test screen your film to get an audience feedback?

Lets be honest with ourselves, can we be doing something more productive with our time as filmmakers?  Do we want to be know as winners of local film competitions, or do we want to be know as filmmakers who are producing amazing content that is widely recognized.

Here is how I am spending this month: Producing a short film, developing a feature, assembling  a creative team, writing a business plan for my production, taking acting classes, working with another production company on a few of their projects, running PR and social media for the FMPTA and running a filmmakers speaking series.

Russell Hess said it best, “Lets have 48 hours career competition.” Let see where the people who are entering these contest are in 3 years.  I know where I want to be in 3 years and it is not wasting my time on silly little contests or projects.  There  was the NBC Film Festival that I wanted to enter and who’s deadline was 1 June.  By the time we got done with the 1st draft of the script we would have had 30 day to complete. I consulted with filmmakers with whom I respect and that are putting out amazing work. After their advoce I killed the production. I wouldn’t be able to produce the work to the standard that I have placed on myself.

I am sure I am going to hurt some peoples feeling and make a ton of new enemies. However I want to see Tampa Bay film grow, thrive and be taken seriously. That is why I wrote this. This why I go out of my way to help other people without asking for nothing in return. We have to live to a higher standard than what we have in the past.

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Tampa Filmmakers Speaker Series is set to go.

It brings me great joy to announce that the Tampa Bay Filmmakers speaking Series has a lock down date, time and speaker, as well as a name for it, “Filmmakers Speak”

It is being presented by The Florida Motion Picture and Television Association, FMPTA Tampa Bay Chapter, and I will be your host. It will be on Saturday, March 24th at  10 am  at Keiser University, 5225 Memorial Hwy Tampa Fl 33634   This event is free and open to the public and will be live streamed.

We are honored to have as our first speaker Russell Hess.
Here is what Russell will be covering.
Some very important questions answered:

1. Packaging, what is it, is it important and why?
2. I’ve written one or more scripts, now what should I do?
3. Why can’t I raise money for my project?
4. Why you should NEVER lower your budget in an attempt to obtain production capital!
5. Can I arrange for a pre-distribution deal?
6. Is it possible to get movie stars in my film or documentary?
7. How will I know if my film can even qualify for a distribution deal?
(and when should I know this?)
8. What is the best kind of distribution deal to get and how soon can I get it?
9.Why do my films never get off the ground, completed, sold distributed
or make any money? (the answer is more simple than you think)
10. How can I have a better chance at getting into a film festival?
11. Which festivals are the best for my film?
12. Which distributors are the best for my film?
13. How can I create a “product” that will have distributors coming to ME?
Russell Hess has been in entertainment for over 25 years. From actor to producer and from sales agent to distributor, Hess has been responsible for independent film releases world-wide. The indie doc, “inGREEDients” helmed by Russell Hess saw a global release in over 70 countries and in 3 languages. Hess and his partners have developed a proprietary IPTV player similar to Netflix and Hulu. The platform will be for independent content only (for now). The big companies are already making the shift from DVD/BluRay and Hess’ company, Commodity Films, LLC is already moving in this direction.

Hess has connections with major and medium-sized companies and partners in various parts of the world for the releasing of any kind of title. Commodity Films operates an “all-digital” process from screening to release. The inventor of the IPTV player arranged a deal with Facebook so the titles can be viewed (and monetized) on the largest social network on the planet.

Qualifications
Executive Produced/Produced/Co-Produced nine successful feature films
• Co-Produced two Documentary films
• Designed and developed world-wide distribution models for documentary films
• Develops independent feature films from concept to release
• Forms strategic partnerships to create financially viable projects
• Creative visionary, show business consultant, innovator and inventor

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Need you suggestions

Hey all crowd sourcing time. I am trying to come with a name for the Filmmakers speaker series.  This will be a monthly engagement by local professional filmmakers covering a wide range of topics. Please send me suggestions.

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