Tag Archives: Director

I came across this while looking for a document. It is Ted Hope’s 99 Recommended Steps For Making Good Movies. I copied and saved it when it came out so I would always have it.  Ted Hope has been he most influential person when it comes to filmmaking. I never went to film school, so I decided to teach myself. I taught myself how to drive a car and swim, why not film?

I found Ted’s Blog when I first started and have followed it ever since.  Filmmaking and media is changing so fast it is about impossible to see where it will end up. If it ends up anywhere, but instead an ever evolving. He has many great guest writers that give great insight into to today’s film landscape and culture.  If you are reading his blog you are falling behind.

 

This is how I do it, generally speaking.

Or rather, this is how I try to do it. There really is no template; I have to adjust the plan for each project. And it doesn’t always work. Sometimes I fail (at least to some degree).

And yes, I have left out the details. After all, that is where the art, experience, & innovation is. And of course as this is a collaborative endeavor, there is always — and thankfully — that “other” factor.

1.    Maintain wonder & love for the world & most/some of the people.

2.    Recognize the barriers & be empowered by my desire for change.

3.    Find an inspiring idea & the correct collaborator for it.

4.    Maintain love & respect for the film industry.

5.    Develop script.

6.    Fall in love with project.

7.    Get non-financier, non-buyer industry types to give feedback on script.

8.    Maintain wonder & love for the process.

9.    Further develop script.

10.    Maintain respect for collaborator(s).

11.    Identify audience & market for project.

12.    Enhance my enthusiasm for potential of the results of audience engagement with ambitious cinema.

13.    Develop additional materials to properly contextualize project, like image books (aka look books), reference material, blog posts, etc.

14.    Try to locate audience and key influencers for the project.

15.    Develop transmedia extensions (I know I should do this earlier).

16.    Encourage Filmmaker to engage with True Fans (i.e. build community).

17.    Strategize production process.

18.    Ballpark budget.

19.    Evaluate potential cast for project.

20.    Consider possible shooting locations.

21.    Introduce Writer/Director to US Talent Agencies if necessary.

22.    Have Director meet wide range of actors.

23.    Strategize financing.

24.    Strategize casting process.

25.    Develop financing plan.

26.    Execute casting process strategy.

27.    Attach lead actor.

28.    Attach another actor (or two).

29.    Revise financing plan as necessary.

30.    Revise script as necessary.

31.    Estimate possible profit & losses.

32.    Revise financing plan as necessary.

33.    Approach sales agents.

34.    Get foreign sales estimates & foreign sales deal terms.

35.    Revise financing plan.

36.    Budget, ideally in multiple variations.

37.    Approach private equity.

38.    Revise financing plan.

39.    Revise script as necessary.

40.    Get verbal commitments from private equity.

41.    Determine most appropriate & then secure sales agent.

42.    Continue to source additional financing.

43.    Revise financing plan.

44.    Revise script as necessary.

45.    Develop initial outreach, engagement, awareness strategy.

46.    Consider and possibly secure a presale or three.

47.    Revise financing plan.

48.    Revise script as necessary.

49.    Revise Budget.

50.    Consider and possibly secure gap & mezzanine financing if necessary.

51.    Finalize financing structure & partners

52.    Consider & secure key crew collaborators.

53.    Scout primary location.

54.    Revise script as necessary.

55.    Revise Budget.

56.    Secure tax credit/rebate.

57.    Lock all financing.

58.    Lock talent deals.

59.    Lock Location.

60.    Revise script as necessary.

61.    Revise & Lock Budget.

62.    Revise initial outreach, engagement, & awareness strategies.

63.    Prep.

64.    Revise script as necessary.

65.    Initiate initial outreach, engagement, & awareness strategies.

66.    Shoot.

67.    Celebrate completion of shoot.

68.    Wrap production.

69.    Ponder the big picture.

70.    Edit.

71.    Revise outreach, engagement, & awareness strategies.

72.    Initiate revised outreach, engagement, & awareness strategies.

73.    Build awareness.

74.    Ponder the big picture.

75.    Complete “Movie”.

76.    Wrap post.

77.    Further revise outreach, engagement, & awareness strategies.

78.    Take to festivals.

79.    Win awards.

80.    Celebrate.

81.    Further revise & implement outreach, engagement, & awareness strategies.

82.    Sell & license “movie”.

83.    Celebrate some more.

84.    Deliver “movie” to licensors.

85.    Further revise & implement outreach, engagement, & awareness strategies.

86.    Market some more.

87.    Screen, screen, screen.

88.    Publicize.

89.    Market some more.

90.    Distribute.

91.    Harvest, aggregate, & analyze, data.

92.    Ponder the big picture.

93.    Share the knowledge with the community.

94.    Win more awards.

95.    Collect profits.

96.    Share the wealth the partners.

97.    Ponder the big picture.

98.    Plan the next one.

99.    Do it all over again, but do it a little bit differently.

 

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16 October 2012 Grey Room

Hello all,

I have some news about Grey Room.  As you may or not know we have had some problems getting our crowdfunding pitch video done. We have had audio issues with the first 3 attempts and finally yesterday we shot our 4th pitch and I know we got it. I will write more in detail about that however I, as the producer, take full responsibility for the delays and the pushing back of the dates.

Here is what is happening, we are pushing the crowdfunding campaign to 15 February 2013 and we begin shooting 13 April;  and here is why, we would have the pitch edited by Friday and then, depending if we need more editing, we would start next week.  Add 45 days of crowdfunding and that would bring us to the beginning of December; then 2 weeks of final per-production and then we would shoot. In the middle of December, and as you know Florida winters are unpredictable; it could be amazing gorgeous or it could be brutally cold.  We have a pool scene and we do not want our actresses freezing their asses off and possibly getting sick. It is just not worth it.  So what we have decided to push it back. However, this in many ways this is good; by the time the film is finished it will be time to be submitting film into the major film festivals.  Which is where we want to put Grey Room.

 

 

 

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Grey Room Trailer and Website. .

Ok I have decided to show the trailer to you all. I kind of have to if  I am to show you the website that our director Preston Walden designed. The trailer for our crowdfunding campaign.  As I have said before, we had a great time shooting this, and  I am really pleased with the outcome.

Check it out the website     http://www.greyroomfilm.com/

Oh and we got our first bit of Press.  The guys at Horrorbug    gave us our first bit of press.  It was a pleasant surprise to us and we look forward to having more.

Check it out

 

Let me know what you all think.

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Tampa Filmmakers Speaker Series is set to go.

It brings me great joy to announce that the Tampa Bay Filmmakers speaking Series has a lock down date, time and speaker, as well as a name for it, “Filmmakers Speak”

It is being presented by The Florida Motion Picture and Television Association, FMPTA Tampa Bay Chapter, and I will be your host. It will be on Saturday, March 24th at  10 am  at Keiser University, 5225 Memorial Hwy Tampa Fl 33634   This event is free and open to the public and will be live streamed.

We are honored to have as our first speaker Russell Hess.
Here is what Russell will be covering.
Some very important questions answered:

1. Packaging, what is it, is it important and why?
2. I’ve written one or more scripts, now what should I do?
3. Why can’t I raise money for my project?
4. Why you should NEVER lower your budget in an attempt to obtain production capital!
5. Can I arrange for a pre-distribution deal?
6. Is it possible to get movie stars in my film or documentary?
7. How will I know if my film can even qualify for a distribution deal?
(and when should I know this?)
8. What is the best kind of distribution deal to get and how soon can I get it?
9.Why do my films never get off the ground, completed, sold distributed
or make any money? (the answer is more simple than you think)
10. How can I have a better chance at getting into a film festival?
11. Which festivals are the best for my film?
12. Which distributors are the best for my film?
13. How can I create a “product” that will have distributors coming to ME?
Russell Hess has been in entertainment for over 25 years. From actor to producer and from sales agent to distributor, Hess has been responsible for independent film releases world-wide. The indie doc, “inGREEDients” helmed by Russell Hess saw a global release in over 70 countries and in 3 languages. Hess and his partners have developed a proprietary IPTV player similar to Netflix and Hulu. The platform will be for independent content only (for now). The big companies are already making the shift from DVD/BluRay and Hess’ company, Commodity Films, LLC is already moving in this direction.

Hess has connections with major and medium-sized companies and partners in various parts of the world for the releasing of any kind of title. Commodity Films operates an “all-digital” process from screening to release. The inventor of the IPTV player arranged a deal with Facebook so the titles can be viewed (and monetized) on the largest social network on the planet.

Qualifications
Executive Produced/Produced/Co-Produced nine successful feature films
• Co-Produced two Documentary films
• Designed and developed world-wide distribution models for documentary films
• Develops independent feature films from concept to release
• Forms strategic partnerships to create financially viable projects
• Creative visionary, show business consultant, innovator and inventor

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Need you suggestions

Hey all crowd sourcing time. I am trying to come with a name for the Filmmakers speaker series.  This will be a monthly engagement by local professional filmmakers covering a wide range of topics. Please send me suggestions.

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Update on Film Speaker Seminar

Ok well here is a bit of good news. Keiser University is allowing me to use their campus to hold the film speaker seminar. I have some really good people lined up and will be announcing the first date soon. It is my hope to help the Bay area’s film community become stronger and better equipped with knowledge and the tools to be successful.

I plan to hold them once a month. They will be about 2 hours with a 10 minute break.  I am still working on details.

Also if you would like to be a sponsor please contact me at timschroyer@gmail. com

 

 

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What a difference a an editor can make

What can an editor do for you?

I have worked with 3 editors so far. The first one I worked with was a disaster. He couldn’t take the simplest of directions, was a know it all and just couldn’t edit.  On one of the the music videos I worked with him on I refuse to acknowledge.

Then I recently worked with Miles Harris on the Bomb Shelter music video. Let it be known, he made that music video to what it is. He had a vision and the skills to carry that vision out.

Now I am working with Jason Coté who is editing a trailer I directed and has turned it into a really good piece. And when finished it will be something to be proud of. It will be out soon. He is slugging away at the final cut and it should be out in a week and a half.

So the moral if the story is this post, find a good editor. Pay that editor because it is money well spent.  Editing is so important andI am sure you have seen many films and a lot of music videos where the editing was atrocious. Editing can make or break your project. Find a good one and someone you trust.


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2012 What to look forward to.

I am excited about the upcoming year.  I am soon to start my production company, due to the fact that I have projects that are in the works and I need to be incorporated.  I didn’t want to create my production company just yet, however I have to.

At the moment I am putting together a film seminar here in Tampa. I will have local film professionals come out and give a seminar on whatever topic they choose regrading film and the industry. I am currently in talks with a University to hold these seminar and hope to have the first Seminar soon.

I have two productions in the works. One is the Polytrauma documentary and the other is a feature about rape and sexual violence. I am currently looking for 2 PMD’s for these projects.

Finally I am writing a film program/competition. The reason behind it is to help filmmakers prepare for the new landscape. Film making has drastically changed and I think this program will help them.  I will be looking for sponsorship and experts to contribute.  This program will have an emphasis on marketing and distribution as well as crowd funding.

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Bomb Shelter

I am proud to present to you all the my first music video I have directed. My friend and one of Tampa’s best Hip Hop artist BC recently put out his second album of a trilogy concept album.  We did a video for the song Fallout Shelter and shot it at a club and used the office as the fallout shelter. We also use the back of the club for the scene with the children.

I had a great team. Me and BC collaborated heavy and Mudd Buddha  was our DP. We had to shoot it in about a week because of the scheduling of the children.  As far as the editing, BC’s friend Miles Harris edited it. He and I both had the same vision for look and feel of the video.  I love how he used and edited  the footage.

Our next move is to enter it into the Gasparilla Film Festival. I am proud of this video. I have gotten really positive  feedback especially from filmmakers and musicians.  I hope you enjoy it.

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