Tag Archives: Directing

11 Jun 14

So just to give you all an update about what is going on with me, I have started an outline on my short film about forced prostitution and I am writing character development and back story. I want to have a finally draft in less than 2 months and I am going to have the outline done this week.  I think I have a good film in the works and I  hope , when it is done, you’ll all enjoy it and not feel cheated out of 15 to 20 minutes of your life. I also want to make an impact regarding this topic and to bring awareness to it. I know around my neck woods you are constantly being cheated out of 10 to 25 minutes of your life and I will not follow in the same footsteps.   There is the standard that it has to be maintained  or why put it out. The story has to be spot on, other wise you’ll have a bad film. Remember, script is 75% of your film. Shitty script shitty film. There is no way about squaring that circle.   I haven’t given up on the series. I am still working on it, though I have fallen behind of  the 8 ball but will soon be back on track.

I got my porch/studio set up. I will have some pictures in the day or two. I am ready to go. I plan to have a show in 6 to 8 months.  Now where and who in God’s name would have me in their is remains to be seen.  Once again, if it not good and I will not waste your time; however that being said, I believe I will have something worth showing.

Finally, Semone Fournillier graduated from American Film Institute Conservatory today. As those who follow me know that I have been working with her a project and might be working on a couple more. She is a talented writer and has a amazing future ahead. I am so very proud of her and what she has accomplished.

Oh, in the next day or two I will be writing about a new crowdfunding site.  I think you’ll dig it a lot.

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You’re going to fail. Deal with it.

YOU ARE GOING TO FAIL!!!!!!

Yes, you are going to fail. And fail hard. I am going to fail, and fail hard. I am probably failing at grammar right now.  It is what you and I do with that failure is what is the difference between successful people and those who never rise above.  I have failed numerous times, yet here I am still working and moving forward. I have learned from those failures and make the best out of them.

If your parents never let you failed as a child they truly cheated you out of the best lesson they could given you.  If you are reading this, and you are reading and have kids, let them fail and fail hard.  Then turn around teach them that it it ok to fail. Teach them to get right back up, learn from their mistakes and try again but even harder. This, besides manners, is the greatest gifts you can give.

Here is the truth, I am a shitty ass artist. At least in my mind. Yet I am going back to making art once again. Hopefully I dig some of my work and maybe someone else will enjoy it, or at the very least, lie to me.  Yet I try and learn. One day I hope to make pieces that I will approve of and think it is good. As a filmmaker I have made numerous mistakes, but difference is I have learned from them, and it has made me a better filmmaker. I will fail again and again, and each time take that failure and grow.

Fail and fail hard. Then learn from it and go at  it again.

 

 

 

 

always try

 

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Quick update, 1 June 14. 2:14 am

Ok, so I was asked to join and produce a project; which I had strong reservations about doing.  I am not going to go into the details, but I saw huge red flags go up and now have decided to be a consultant rather than a producer. However, good news, through that process I came up with a film idea for a short film regarding the sex trade; which, as some of you know, I have been developing for a feature film.  Yes, it is heavy subject, but it is something I feel passionately about.  So I will be writing and directing it.  I will need your help to get it made.  I will need you to spread the word about it and when the time comes, need you to kick in some money.

On the other fronts of my lackluster attempts at being an artist, I bought 4 lbs of wheat paste so that I can start working on mixed medium pieces. Also got 3 tubes of paint: black, white and red.  I am talking to some editors to edit Jamie Lowe’s”De Flip Side” and I just got a copy from Jonny Cromwell  book, “82 Days”; which I am going to start reading and strategizing for a release. And of course I have the series that I am developing. Which is an intensive endevour.

I also want you to check out this new crowdfunding site https://dana.io/. I am going to do a review on it this week, and they seem like really cool people that you should look up on Twitter and Facebook and say hi. They are really nice people.

If there is anything you want to discuss hit me up. I would love to hear back from you all.

 

 

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Leader v Boss

There is a difference. Which one will you be?

boss v leadreship 1

BOSS V LEADER ADSAS

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I came across this while looking for a document. It is Ted Hope’s 99 Recommended Steps For Making Good Movies. I copied and saved it when it came out so I would always have it.  Ted Hope has been he most influential person when it comes to filmmaking. I never went to film school, so I decided to teach myself. I taught myself how to drive a car and swim, why not film?

I found Ted’s Blog when I first started and have followed it ever since.  Filmmaking and media is changing so fast it is about impossible to see where it will end up. If it ends up anywhere, but instead an ever evolving. He has many great guest writers that give great insight into to today’s film landscape and culture.  If you are reading his blog you are falling behind.

 

This is how I do it, generally speaking.

Or rather, this is how I try to do it. There really is no template; I have to adjust the plan for each project. And it doesn’t always work. Sometimes I fail (at least to some degree).

And yes, I have left out the details. After all, that is where the art, experience, & innovation is. And of course as this is a collaborative endeavor, there is always — and thankfully — that “other” factor.

1.    Maintain wonder & love for the world & most/some of the people.

2.    Recognize the barriers & be empowered by my desire for change.

3.    Find an inspiring idea & the correct collaborator for it.

4.    Maintain love & respect for the film industry.

5.    Develop script.

6.    Fall in love with project.

7.    Get non-financier, non-buyer industry types to give feedback on script.

8.    Maintain wonder & love for the process.

9.    Further develop script.

10.    Maintain respect for collaborator(s).

11.    Identify audience & market for project.

12.    Enhance my enthusiasm for potential of the results of audience engagement with ambitious cinema.

13.    Develop additional materials to properly contextualize project, like image books (aka look books), reference material, blog posts, etc.

14.    Try to locate audience and key influencers for the project.

15.    Develop transmedia extensions (I know I should do this earlier).

16.    Encourage Filmmaker to engage with True Fans (i.e. build community).

17.    Strategize production process.

18.    Ballpark budget.

19.    Evaluate potential cast for project.

20.    Consider possible shooting locations.

21.    Introduce Writer/Director to US Talent Agencies if necessary.

22.    Have Director meet wide range of actors.

23.    Strategize financing.

24.    Strategize casting process.

25.    Develop financing plan.

26.    Execute casting process strategy.

27.    Attach lead actor.

28.    Attach another actor (or two).

29.    Revise financing plan as necessary.

30.    Revise script as necessary.

31.    Estimate possible profit & losses.

32.    Revise financing plan as necessary.

33.    Approach sales agents.

34.    Get foreign sales estimates & foreign sales deal terms.

35.    Revise financing plan.

36.    Budget, ideally in multiple variations.

37.    Approach private equity.

38.    Revise financing plan.

39.    Revise script as necessary.

40.    Get verbal commitments from private equity.

41.    Determine most appropriate & then secure sales agent.

42.    Continue to source additional financing.

43.    Revise financing plan.

44.    Revise script as necessary.

45.    Develop initial outreach, engagement, awareness strategy.

46.    Consider and possibly secure a presale or three.

47.    Revise financing plan.

48.    Revise script as necessary.

49.    Revise Budget.

50.    Consider and possibly secure gap & mezzanine financing if necessary.

51.    Finalize financing structure & partners

52.    Consider & secure key crew collaborators.

53.    Scout primary location.

54.    Revise script as necessary.

55.    Revise Budget.

56.    Secure tax credit/rebate.

57.    Lock all financing.

58.    Lock talent deals.

59.    Lock Location.

60.    Revise script as necessary.

61.    Revise & Lock Budget.

62.    Revise initial outreach, engagement, & awareness strategies.

63.    Prep.

64.    Revise script as necessary.

65.    Initiate initial outreach, engagement, & awareness strategies.

66.    Shoot.

67.    Celebrate completion of shoot.

68.    Wrap production.

69.    Ponder the big picture.

70.    Edit.

71.    Revise outreach, engagement, & awareness strategies.

72.    Initiate revised outreach, engagement, & awareness strategies.

73.    Build awareness.

74.    Ponder the big picture.

75.    Complete “Movie”.

76.    Wrap post.

77.    Further revise outreach, engagement, & awareness strategies.

78.    Take to festivals.

79.    Win awards.

80.    Celebrate.

81.    Further revise & implement outreach, engagement, & awareness strategies.

82.    Sell & license “movie”.

83.    Celebrate some more.

84.    Deliver “movie” to licensors.

85.    Further revise & implement outreach, engagement, & awareness strategies.

86.    Market some more.

87.    Screen, screen, screen.

88.    Publicize.

89.    Market some more.

90.    Distribute.

91.    Harvest, aggregate, & analyze, data.

92.    Ponder the big picture.

93.    Share the knowledge with the community.

94.    Win more awards.

95.    Collect profits.

96.    Share the wealth the partners.

97.    Ponder the big picture.

98.    Plan the next one.

99.    Do it all over again, but do it a little bit differently.

 

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South Sudan Documentary

In case you haven’t heard I am doing a full length documentary on South Sudan.  This project fell into my lap about a month, month and a half ago. A friend of mine has been working on something called the Jonglei Peace Initiative which had ended years of ethnic civil war in the state of Jonglei, South Sudan and will bring development to the region and a plan for the rest of South Sudan.  JPI was started by the Diaspora of South Sudan who live here in the United States and Canada.  These men are also known as the Lost Boys of South Sudan and  much has been written about them as well as a documentary done on them.

My documentary will cover many topics: JPI, which is a very important issue to South Sudan’s future,  the tensions between South Sudan and Sudan, which could lead to full scale war, women’s right, freedom if the press, development and education, the rebel leader David Yau Yau and his tyranny and the how does a young democracy survive and grow. I am sure there is more to talk about. Through my research I have become very interested in this project. I and my crew get to document the history of a young  country as it too experiments with democratic rule.

The first leg if this journey is to get to Washington D.C. at the end of March for a conference that is being held with the leaders of JPI and the Vice President of South Sudan.  Then we have to plan our first trip to South Sudan. I am now looking to get this funded. That is the big part now, getting it funded. Where that is going to come from I do not know but I am confident it will come.

My crew; I do have one.  I have Brandon Hyde as our Cinematographer, Tony Tartaglia as our sound guy and William, Billy, Wright as our go to guy for whatever it is we need at that moment.  Tony, Billy and myself have served in the Army. Tony was in Vietnam, Billy in Iraq and me in the 82nd Airborne.  So we have that covered.

I will be writing a lot about this documentary and would love here hear what you have to say and please spread the word. We need to bring awareness of this film and I need your help to do that. Thanks

 

 

 

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Filmmaker Speak 23 Oct 2012

I just wanted to give an update on what is happening to  Filmmakers Speak speaking series; it will be put on hold until January 2013.   I have a lot going on right and the holiday season is coming up.  I am  working on a wonderful line up of speakers, ones that I think will be beneficial to the Tampa Bay area film and art community.

Also during this time I will be looking for sponsors so that I can truly grow Filmmakers Speak to the level that I want  it to be.  I would like to bring speakers from out of town. People Like Ted Hope, Sheri Candler and Jon Reiss. However this will take money and an good infrastructure to accomplish that.

If you have any ideas for speakers,let me know.  I want this to be a two way conversation.

 

 

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Notes from the Grey Room 2

Hey guys. Sorry for not blogging for so long. I apologize for that.  Avoidance seems to effect me from time to time.

Ok so, here is what is going on. We shot the trailer, for the second time, and have it edited, scored and ready to go.  I am debating to show it here now or what until the crowd funding campaign.  We had a great time shooting it and I am pleased how well everyone gets along. It makes life so much easier when the troops are having fun and enjoying each others company.

Some great news about our 1st AD Semone Founillier. She was excepted into AFI”s Conservatory program for writing in California for her Masters. She is there now and will be flying back to Tampa to 1st AD Grey Room. If you remember, she is writing the film on rape for me. I have read what she has so far and it is amazing.   So we are extremely proud of her.

I am happy to announce our new Script Supervisor Mike Rembis.  He brings to our team a lot of experience and is taking care of our shooting schedule. Which takes a big load off my shoulders.  We have a great plan set up and it will allow us to shoot very efficiently.  We have a lot to cover in this film so we need to have a clear strategy to shoot it.  According to  Mike we can shoot this in 35 hours.  I think that is a great and doable  goal.

So now I am concentrating on Pre production and am beginning to research contracts. Yes we are doing contracts for a couple of reasons. One to protect all parties but also to get some experience in dealing with them.  I never have had to so this is a great opportunity for me.  I have one with Jason Cote.  We signed it at the Grey Room Party.

Oh Speaking of Jason, He just arrived to his new home town, LA. Yes he has moved to Hollywood to take his career as an editor to a professional level. Not saying you can’t do that here in Florida, but you can’t do that here in Florida.  It’s Florida.

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Tampa Filmmakers Speaker Series is set to go.

It brings me great joy to announce that the Tampa Bay Filmmakers speaking Series has a lock down date, time and speaker, as well as a name for it, “Filmmakers Speak”

It is being presented by The Florida Motion Picture and Television Association, FMPTA Tampa Bay Chapter, and I will be your host. It will be on Saturday, March 24th at  10 am  at Keiser University, 5225 Memorial Hwy Tampa Fl 33634   This event is free and open to the public and will be live streamed.

We are honored to have as our first speaker Russell Hess.
Here is what Russell will be covering.
Some very important questions answered:

1. Packaging, what is it, is it important and why?
2. I’ve written one or more scripts, now what should I do?
3. Why can’t I raise money for my project?
4. Why you should NEVER lower your budget in an attempt to obtain production capital!
5. Can I arrange for a pre-distribution deal?
6. Is it possible to get movie stars in my film or documentary?
7. How will I know if my film can even qualify for a distribution deal?
(and when should I know this?)
8. What is the best kind of distribution deal to get and how soon can I get it?
9.Why do my films never get off the ground, completed, sold distributed
or make any money? (the answer is more simple than you think)
10. How can I have a better chance at getting into a film festival?
11. Which festivals are the best for my film?
12. Which distributors are the best for my film?
13. How can I create a “product” that will have distributors coming to ME?
Russell Hess has been in entertainment for over 25 years. From actor to producer and from sales agent to distributor, Hess has been responsible for independent film releases world-wide. The indie doc, “inGREEDients” helmed by Russell Hess saw a global release in over 70 countries and in 3 languages. Hess and his partners have developed a proprietary IPTV player similar to Netflix and Hulu. The platform will be for independent content only (for now). The big companies are already making the shift from DVD/BluRay and Hess’ company, Commodity Films, LLC is already moving in this direction.

Hess has connections with major and medium-sized companies and partners in various parts of the world for the releasing of any kind of title. Commodity Films operates an “all-digital” process from screening to release. The inventor of the IPTV player arranged a deal with Facebook so the titles can be viewed (and monetized) on the largest social network on the planet.

Qualifications
Executive Produced/Produced/Co-Produced nine successful feature films
• Co-Produced two Documentary films
• Designed and developed world-wide distribution models for documentary films
• Develops independent feature films from concept to release
• Forms strategic partnerships to create financially viable projects
• Creative visionary, show business consultant, innovator and inventor

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Need you suggestions

Hey all crowd sourcing time. I am trying to come with a name for the Filmmakers speaker series.  This will be a monthly engagement by local professional filmmakers covering a wide range of topics. Please send me suggestions.

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