A must read is you are thinking about or just want to know what a producer does.

I just came across this page  that explains what a producer does and what kind of producers there are. THE FILM PRODUCER

It is 8 pages long and I strongly recommend that, if you are thinking about becoming or are a producer you should read this.

Also I want to suggest you, all who are filmmakers, READ about the craft. I know so many people who don’t even one a book on filmmaking yet there they are trying to make films and do a great job at doing a terrible job.  I once worked with a guy who would tell everyone how one day he wanted to become a producer even though he knew nothing about it. He did not  invested in any books and just read the mainstream Hollywood rags.  I have invested hundreds of dollars buying books on filmmaking. I now have  a library. You too can build up a library and you can do it cheaply! I would first start out by going to Thriftbooks.com. This is a great site to buy discount books; in addition to being cheap, there is no shipping cost.  And read on everything. Get books on film theory. I found a book on The Philosophy of Film Noir.  Really interesting and informative.

You must be the smartest guy in the room. It is not who you know but what you know. I say this because if you are not knowledgeable those who you really want to be in contact with won’t give you the time of day. People are attracted to smart and knowledgeable people. Take time to think about that.  I tell you this because I want you to all succeed. I am rooting for you and want you to be the best filmmaker and artist you can be. If you are a painter or sculpture for instance, be well versed in art. You’ll grow as an artist.

Here is another website to a magazine I strongly suggest you read, it is called Bomb Magazine. It is a magazine dedicated to artist, filmmakers, writers, actors and musicians. The difference between Bomb and other magazines is, it is artist interviewing other artist, so, you get a much deeper perspective. I have been reading since I was in the 82nd. I have subscribed for years. Which reminds me, I have to renew.

Ok, i hope you got something from this.  If you have any thoughts questions or suggestion please hit me

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Things that are in the works 22 May 14

So it occurred to me yesterday while driving, I haven’t written what my series is about as far as a treatment or synopsis. You would think it would be obvious, however everything has been in my head and I have been doing research for it.   I have talked and bounced off ideas with trusted people. I found someone who will be responsible for music. Constantly working things out in my head and taking notes, but never wrote the thing out.  So I am going to be writing the synopsis and treatment. Now this is terrifying for me and here is why. I have always ran away from writing even though I am a writer at heart. So I am crash coursing it and will tell you what I learned.  I also have to crash course into screen writing. Something I have been very intimidated by, which is is why I have found screenwriters instead of writing it myself. With this project I have to write it, at least at the beginning, because there is a certain theme and tone I am trying to convey.

So what else I am doing? I am working with an author who has put out a book that I am going to have edited and then release it. I also am looking into a film which I will produce. I have always wanted to be a publisher and here is my chance. I am currently looking for a editor so if you are an editor please contact me.  I think it is a great opportunity to become an independent publisher and a great way to put out great literature and non fiction publications.

So is there anything you guys want me to talk about? Write me and let me know. I would love to look into something for you. Oh, one more thing, I am going to be writing about subjects other than film here like the creative endeavors that I am taking on. I am going to start making artworks again as well as to get into photography which is what I started doing in 97.  I started studying fine art photography in the summer of 97. After that I got into sculpting and painting. I really enjoyed doing that and have been wanting to get back into.  I think you should always be moving and creating. For me there is so much out there to get into:  Art, film, writing, theater, and whatever. It is exciting.  Why should you limit yourself.  I am a filmmaker and creator of content.  To me having no limits on what I can do makes the most sense to me.  I say go out and try different things and see which one sticks.

 

Til next time.

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So here is what’s coming up

So I am developing a series that is to be shot here in the Tampa Bay Area. My plan is to shop it to networks and if that doesn’t happen then I will turn it into a web series. I have shared t the idea to some people and I have gotten a lot of good feed back. I have a ton of research and work to do but it is very exciting for me. The series will have many niche  groups and will be substantive as you might except from me.  I love a ton of books to read and the list gets longer. Plus, I read slow so yay for me.  I believe many will groups will enjoy the series while others will hate it. But I have a lot of things to say and it will be honest.

So as for the film on sexual violence and sex trafficking, it is on hold while Semone is off studying at the American Film Institute Conservatory. I am starting to talk about these issues in my blog Notes From Outpost 187. Doing this I raise awareness to the subject and build an audience for the film. An Audience that will be with me through funding,  production and release. I am talking on a very serious subject, and making the film and getting it distributed will be a challenge, so I need to start working on building an audience now. Not to mention, I might be able to find people who will back the film financially.

So I have a stack of films I need to watch. I have 9 films from the library and I haven’t gotten to any of them. I have a bunch from Akira Kurosawa who is my favorite director. I am hoping to knock out as many I as I can this weekend and throughout next week. We will see.

I also am going to be diving into writing. It is something that I should have been doing years ago. I will be, of course, writing here but in my other blogs.  I feel I need to be a writer first and for most. Yes, this means I have to get good at it; as well as my grammar, which I know is lacking. And that is being very kind to myself.

Ok so you all have a great weekend.

Peace, Love and Nappiness

 

 

 

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Leader v Boss

There is a difference. Which one will you be?

boss v leadreship 1

BOSS V LEADER ADSAS

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Film on Sex Trafficking and bloging about sex traffing

Yes, I am still making this film. No, I didn’t forget.

Tim Schroyer's avatarNotes from outpost 187

So I am a filmmaker, multidisciplinary artist, thinker writer. In film I am a producer and director. Back in 2011, I decided to produce a film regrading sexual violence. I teamed up with the very talented screenwriter Semone Fournillier who is currently attending AFI American Film Institute. We did  lots of research and eventually Semone came up with a good screenplay. In it, it dealt with underage prostitution, rape and a predator; which lead me to going deeper into those subjects.

At the same time, I was starting to read post by Dr. Brook Bello on Twitter and Facebook. She is the founder of More to Life and a woman who has been waging war against the sex trade for a very long time, which restarted my interested in the sex trade and how it could be turned into a film. I say restarted because in 2004 I heard…

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Rethinking Hip-Hop

Andrew Sullivan's avatarThe Dish

Questlove bemoans the state of hip-hop, “an entire cultural movement, packed into one hyphenated adjective”:

These days, nearly anything fashioned or put forth by black people gets referred to as “hip-hop,” even when the description is a poor or pointless fit. “Hip-hop fashion” makes a little sense, but even that is confusing: Does it refer to fashions popularized by hip-hop musicians, like my Lego heart pin, or to fashions that participate in the same vague cool that defines hip-hop music? Others make a whole lot of nonsense: “Hip-hop food”? “Hip-hop politics”? “Hip-hop intellectual”? And there’s even “hip-hop architecture.” What the hell is that? A house you build with a Hammer? …

On the one hand, you can point to this as proof of hip-hop’s success. The concept travels. But where has it traveled? The danger is that it has drifted into oblivion.

He relates an encounter he had with a…

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I came across this while looking for a document. It is Ted Hope’s 99 Recommended Steps For Making Good Movies. I copied and saved it when it came out so I would always have it.  Ted Hope has been he most influential person when it comes to filmmaking. I never went to film school, so I decided to teach myself. I taught myself how to drive a car and swim, why not film?

I found Ted’s Blog when I first started and have followed it ever since.  Filmmaking and media is changing so fast it is about impossible to see where it will end up. If it ends up anywhere, but instead an ever evolving. He has many great guest writers that give great insight into to today’s film landscape and culture.  If you are reading his blog you are falling behind.

 

This is how I do it, generally speaking.

Or rather, this is how I try to do it. There really is no template; I have to adjust the plan for each project. And it doesn’t always work. Sometimes I fail (at least to some degree).

And yes, I have left out the details. After all, that is where the art, experience, & innovation is. And of course as this is a collaborative endeavor, there is always — and thankfully — that “other” factor.

1.    Maintain wonder & love for the world & most/some of the people.

2.    Recognize the barriers & be empowered by my desire for change.

3.    Find an inspiring idea & the correct collaborator for it.

4.    Maintain love & respect for the film industry.

5.    Develop script.

6.    Fall in love with project.

7.    Get non-financier, non-buyer industry types to give feedback on script.

8.    Maintain wonder & love for the process.

9.    Further develop script.

10.    Maintain respect for collaborator(s).

11.    Identify audience & market for project.

12.    Enhance my enthusiasm for potential of the results of audience engagement with ambitious cinema.

13.    Develop additional materials to properly contextualize project, like image books (aka look books), reference material, blog posts, etc.

14.    Try to locate audience and key influencers for the project.

15.    Develop transmedia extensions (I know I should do this earlier).

16.    Encourage Filmmaker to engage with True Fans (i.e. build community).

17.    Strategize production process.

18.    Ballpark budget.

19.    Evaluate potential cast for project.

20.    Consider possible shooting locations.

21.    Introduce Writer/Director to US Talent Agencies if necessary.

22.    Have Director meet wide range of actors.

23.    Strategize financing.

24.    Strategize casting process.

25.    Develop financing plan.

26.    Execute casting process strategy.

27.    Attach lead actor.

28.    Attach another actor (or two).

29.    Revise financing plan as necessary.

30.    Revise script as necessary.

31.    Estimate possible profit & losses.

32.    Revise financing plan as necessary.

33.    Approach sales agents.

34.    Get foreign sales estimates & foreign sales deal terms.

35.    Revise financing plan.

36.    Budget, ideally in multiple variations.

37.    Approach private equity.

38.    Revise financing plan.

39.    Revise script as necessary.

40.    Get verbal commitments from private equity.

41.    Determine most appropriate & then secure sales agent.

42.    Continue to source additional financing.

43.    Revise financing plan.

44.    Revise script as necessary.

45.    Develop initial outreach, engagement, awareness strategy.

46.    Consider and possibly secure a presale or three.

47.    Revise financing plan.

48.    Revise script as necessary.

49.    Revise Budget.

50.    Consider and possibly secure gap & mezzanine financing if necessary.

51.    Finalize financing structure & partners

52.    Consider & secure key crew collaborators.

53.    Scout primary location.

54.    Revise script as necessary.

55.    Revise Budget.

56.    Secure tax credit/rebate.

57.    Lock all financing.

58.    Lock talent deals.

59.    Lock Location.

60.    Revise script as necessary.

61.    Revise & Lock Budget.

62.    Revise initial outreach, engagement, & awareness strategies.

63.    Prep.

64.    Revise script as necessary.

65.    Initiate initial outreach, engagement, & awareness strategies.

66.    Shoot.

67.    Celebrate completion of shoot.

68.    Wrap production.

69.    Ponder the big picture.

70.    Edit.

71.    Revise outreach, engagement, & awareness strategies.

72.    Initiate revised outreach, engagement, & awareness strategies.

73.    Build awareness.

74.    Ponder the big picture.

75.    Complete “Movie”.

76.    Wrap post.

77.    Further revise outreach, engagement, & awareness strategies.

78.    Take to festivals.

79.    Win awards.

80.    Celebrate.

81.    Further revise & implement outreach, engagement, & awareness strategies.

82.    Sell & license “movie”.

83.    Celebrate some more.

84.    Deliver “movie” to licensors.

85.    Further revise & implement outreach, engagement, & awareness strategies.

86.    Market some more.

87.    Screen, screen, screen.

88.    Publicize.

89.    Market some more.

90.    Distribute.

91.    Harvest, aggregate, & analyze, data.

92.    Ponder the big picture.

93.    Share the knowledge with the community.

94.    Win more awards.

95.    Collect profits.

96.    Share the wealth the partners.

97.    Ponder the big picture.

98.    Plan the next one.

99.    Do it all over again, but do it a little bit differently.

 

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