What if the Mayan calender didn’t predict the end of the world but the beginning of the end?
The Grey Room is a film Written / Directed Produced by Preston Walden And Produced by Tim Schroyer and Tracee Lynn Mulkey.
Grey Room is a prequel to a feature film. We are making it to build an audience and to attract investors.
The short is about Susan Wilcox and the birth of the end.
Here in my city, Tampa, Fl, there is the yearly competition in which you have to write, per-production, raise funds, audition, shoot, edit, and do post all in 30 days. Sound fun right? Yes, if you are new to film or make films as a hobby. However, if you are serious about becoming a filmmaker and do it as a carer then this is a complete waste of time. And here is why.
30 days to make a serious short film is just not enough time. Will start with writing. You can bang out a script in a few days? It is done all the time, however you need to edit, rewrite and develop that script. You need to take the time to develop the best script possible. You should also send it off to a script consultant and get their notes. I know many don’t but it is a good idea to do. This comes from people who do film making for a living. That is a month you could have taken to develop that script.
Then comes funding raising. If you are fortunate enough to have the money sitting in the bank to shoot your film good for you. You are doing better than most. It is true you could do a micro budget film, however it will show in the final product. Not to mention you can’t pay anyone who is working for you. Sure you could ask around for people to help out for free, and that seems to be a constant thing that happens in Tampa and something I will write about in the future, but are you going to get the best people who will do their best work? The best DP or editor, best lighting or sound? Just a question. That 30 days could be used to raising capitol via Crowd funding and private investment.
Then comes pre-produciton. Enough cannot be said about pre-producition. The more time you have to plan the better your odds are of making a successful film. Plan plan plan, is one of the biggest pieces of advice I get from successful filmmakers. You need to take the time to think and plan out everything. That is a month that could be spent hashing out all the details.
Auditions. You should find the best actors you can find. You should take a thoughtful search for your talent. Sure you can go “hey you want to act in this thing I am doing?” and sure you might have some talented people come work for you. But don’t you think you would be better served if you took the time to look and hold auditions and find the best actors for those role. Take the time to do rehearsals and table reads?
Post. Do you think you’ll have the best edit, color correction, sound and whatever visual effects and whatever else is needed in just a week or two. Is it really the best cut you can have? Do you have time to test screen your film to get an audience feedback?
Lets be honest with ourselves, can we be doing something more productive with our time as filmmakers? Do we want to be know as winners of local film competitions, or do we want to be know as filmmakers who are producing amazing content that is widely recognized.
Here is how I am spending this month: Producing a short film, developing a feature, assembling a creative team, writing a business plan for my production, taking acting classes, working with another production company on a few of their projects, running PR and social media for the FMPTA and running a filmmakers speaking series.
Russell Hess said it best, “Lets have 48 hours career competition.” Let see where the people who are entering these contest are in 3 years. I know where I want to be in 3 years and it is not wasting my time on silly little contests or projects. There was the NBC Film Festival that I wanted to enter and who’s deadline was 1 June. By the time we got done with the 1st draft of the script we would have had 30 day to complete. I consulted with filmmakers with whom I respect and that are putting out amazing work. After their advoce I killed the production. I wouldn’t be able to produce the work to the standard that I have placed on myself.
I am sure I am going to hurt some peoples feeling and make a ton of new enemies. However I want to see Tampa Bay film grow, thrive and be taken seriously. That is why I wrote this. This why I go out of my way to help other people without asking for nothing in return. We have to live to a higher standard than what we have in the past.
Oh Lord Jesus, I apologize for being away for so darn long. A lot has happened since I last wrote. I went to my first festival that I was in and I directed a music video for the cancer charity Relay for Life.
I had a project that I started to work on then it died on the vine however, I do plan on resurrect it in the future. The feature film is being written as I write this and I am really excited, so I will let you know more as it progresses.
Oh, we were going to do a short film for the NBC Film Festival but then decided to not green light it for we would have only given us 30 days to raise funds, plan it, shoot it, edit it and do all the that is entailed in post.
So what is going on now? Well I have stepped back from film making so to speak. No I am not getting out of film making on the contrary. I am stepping back to start my production company and dive into a lot of reading and research about film making and the business of film making . I will write more on starting up the production company very soon and get your feedback.
Oh Yeah one more thing, the filmmaker speaker series is up and running. Filmmakers Speak started with Russell Hess and our next speaker is Rich Nation. More to come on that.
OK Love you all.
timme
As you know I am producing a feature film on sexual violence. My partner and the writer Semone Fournillier will be begin writing in April and end in June. She is using this script for her Masters class at UCLA, so by the time she is finished with the class we will have a very polished script.
Soon we will be having a production meeting with veteran Casting Director and film consultant Bobbi Hill. She is brings 30 years of experience to the table. In addition, Marilyn Bray who is our film and content consultant will be there. I will keep you filled in on when and how the meeting went.
Also, if you are a survivor of sexual violence we would like to hear from you. We want to keep this film as real as it can be. We don’t want to sugar coat sexual violence as it often has been. You can contact me at timschroyer@gmail.com
Why am I telling you all this. Well for one I am telling you my journey into film. Thus the name. Also, I am trying to build an audience and garner interest for our film. Risky? Maybe but I think it will pay off in the long run
FYI, I am looking for a PMD. Producer of Marketing and Distribution. I have 3 films that need a PMD. If you are interested please contact me.
It brings me great joy to announce that the Tampa Bay Filmmakers speaking Series has a lock down date, time and speaker, as well as a name for it, “Filmmakers Speak”
It is being presented by The Florida Motion Picture and Television Association, FMPTA Tampa Bay Chapter, and I will be your host. It will be on Saturday, March 24th at 10 am at Keiser University, 5225 Memorial Hwy Tampa Fl 33634 This event is free and open to the public and will be live streamed.
We are honored to have as our first speaker Russell Hess.
Here is what Russell will be covering.
Some very important questions answered:
1. Packaging, what is it, is it important and why?
2. I’ve written one or more scripts, now what should I do?
3. Why can’t I raise money for my project?
4. Why you should NEVER lower your budget in an attempt to obtain production capital!
5. Can I arrange for a pre-distribution deal?
6. Is it possible to get movie stars in my film or documentary?
7. How will I know if my film can even qualify for a distribution deal?
(and when should I know this?)
8. What is the best kind of distribution deal to get and how soon can I get it?
9.Why do my films never get off the ground, completed, sold distributed
or make any money? (the answer is more simple than you think)
10. How can I have a better chance at getting into a film festival?
11. Which festivals are the best for my film?
12. Which distributors are the best for my film?
13. How can I create a “product” that will have distributors coming to ME?
Russell Hess has been in entertainment for over 25 years. From actor to producer and from sales agent to distributor, Hess has been responsible for independent film releases world-wide. The indie doc, “inGREEDients” helmed by Russell Hess saw a global release in over 70 countries and in 3 languages. Hess and his partners have developed a proprietary IPTV player similar to Netflix and Hulu. The platform will be for independent content only (for now). The big companies are already making the shift from DVD/BluRay and Hess’ company, Commodity Films, LLC is already moving in this direction.
Hess has connections with major and medium-sized companies and partners in various parts of the world for the releasing of any kind of title. Commodity Films operates an “all-digital” process from screening to release. The inventor of the IPTV player arranged a deal with Facebook so the titles can be viewed (and monetized) on the largest social network on the planet.
Qualifications
Executive Produced/Produced/Co-Produced nine successful feature films
• Co-Produced two Documentary films
• Designed and developed world-wide distribution models for documentary films
• Develops independent feature films from concept to release
• Forms strategic partnerships to create financially viable projects
• Creative visionary, show business consultant, innovator and inventor
Hey all crowd sourcing time. I am trying to come with a name for the Filmmakers speaker series. This will be a monthly engagement by local professional filmmakers covering a wide range of topics. Please send me suggestions.
Ok well here is a bit of good news. Keiser University is allowing me to use their campus to hold the film speaker seminar. I have some really good people lined up and will be announcing the first date soon. It is my hope to help the Bay area’s film community become stronger and better equipped with knowledge and the tools to be successful.
I plan to hold them once a month. They will be about 2 hours with a 10 minute break. I am still working on details.
Also if you would like to be a sponsor please contact me at timschroyer@gmail. com
Casting Call
Send headshots and resumes to castreelpeople@tampabay.rr.com
Film: Three (3) principles parts and a Hunk. Non-Union , Paid, expenses will be covered i.e. food, travel etc. A copy of the film,
Shoot will take place in and around the Bradenton area around February 15th, 2012
Further information will be send upon .
Please only those who apply:
Sophie
Caucasian, Blonde, very attractive 20’s. Sophie can be impossibly warm one second, and the next she can be evil incarnate. She can say some pretty hurtful things, but there is something about her you can’t help but adore.
NB: Does not need to be a natural blonde. *(Comediennes preferred, Elizabeth Banks/Anna Faris/Leslie Mann type)
Jeff
A decent looking guy that is down on his luck, scruffy hair and an expressive face, 20’s. He is an everyman that has hidden confidence, but life has worn him down to be a slightly overweight/downtrodden husk of the man he once was.
*(being overweight isn’t a pre-requisite, a sense of humor and not looking like Tom Cruise on the other hand is. Seth Rogen/Jack Black/Adam Sandler type)
Claire
Girl next door character in her 20’s, Claire is extremely down to earth, and adorable in equal measure, she is the type of girl you would proudly introduce to your parents. Very approachable and easy to talk to, she may not have the immediate looks of Sophie, but to Jeff she is perfection personified.
*(Jayma Mays/Alyson Hannigan/Zooey Deschanel type)
Hunk
A very attractive guy. Non-speaking role. 20’s.
PS Applicants must include Headshots, Résumé.. thanks 🙂