I came across this while looking for a document. It is Ted Hope’s 99 Recommended Steps For Making Good Movies. I copied and saved it when it came out so I would always have it.  Ted Hope has been he most influential person when it comes to filmmaking. I never went to film school, so I decided to teach myself. I taught myself how to drive a car and swim, why not film?

I found Ted’s Blog when I first started and have followed it ever since.  Filmmaking and media is changing so fast it is about impossible to see where it will end up. If it ends up anywhere, but instead an ever evolving. He has many great guest writers that give great insight into to today’s film landscape and culture.  If you are reading his blog you are falling behind.

 

This is how I do it, generally speaking.

Or rather, this is how I try to do it. There really is no template; I have to adjust the plan for each project. And it doesn’t always work. Sometimes I fail (at least to some degree).

And yes, I have left out the details. After all, that is where the art, experience, & innovation is. And of course as this is a collaborative endeavor, there is always — and thankfully — that “other” factor.

1.    Maintain wonder & love for the world & most/some of the people.

2.    Recognize the barriers & be empowered by my desire for change.

3.    Find an inspiring idea & the correct collaborator for it.

4.    Maintain love & respect for the film industry.

5.    Develop script.

6.    Fall in love with project.

7.    Get non-financier, non-buyer industry types to give feedback on script.

8.    Maintain wonder & love for the process.

9.    Further develop script.

10.    Maintain respect for collaborator(s).

11.    Identify audience & market for project.

12.    Enhance my enthusiasm for potential of the results of audience engagement with ambitious cinema.

13.    Develop additional materials to properly contextualize project, like image books (aka look books), reference material, blog posts, etc.

14.    Try to locate audience and key influencers for the project.

15.    Develop transmedia extensions (I know I should do this earlier).

16.    Encourage Filmmaker to engage with True Fans (i.e. build community).

17.    Strategize production process.

18.    Ballpark budget.

19.    Evaluate potential cast for project.

20.    Consider possible shooting locations.

21.    Introduce Writer/Director to US Talent Agencies if necessary.

22.    Have Director meet wide range of actors.

23.    Strategize financing.

24.    Strategize casting process.

25.    Develop financing plan.

26.    Execute casting process strategy.

27.    Attach lead actor.

28.    Attach another actor (or two).

29.    Revise financing plan as necessary.

30.    Revise script as necessary.

31.    Estimate possible profit & losses.

32.    Revise financing plan as necessary.

33.    Approach sales agents.

34.    Get foreign sales estimates & foreign sales deal terms.

35.    Revise financing plan.

36.    Budget, ideally in multiple variations.

37.    Approach private equity.

38.    Revise financing plan.

39.    Revise script as necessary.

40.    Get verbal commitments from private equity.

41.    Determine most appropriate & then secure sales agent.

42.    Continue to source additional financing.

43.    Revise financing plan.

44.    Revise script as necessary.

45.    Develop initial outreach, engagement, awareness strategy.

46.    Consider and possibly secure a presale or three.

47.    Revise financing plan.

48.    Revise script as necessary.

49.    Revise Budget.

50.    Consider and possibly secure gap & mezzanine financing if necessary.

51.    Finalize financing structure & partners

52.    Consider & secure key crew collaborators.

53.    Scout primary location.

54.    Revise script as necessary.

55.    Revise Budget.

56.    Secure tax credit/rebate.

57.    Lock all financing.

58.    Lock talent deals.

59.    Lock Location.

60.    Revise script as necessary.

61.    Revise & Lock Budget.

62.    Revise initial outreach, engagement, & awareness strategies.

63.    Prep.

64.    Revise script as necessary.

65.    Initiate initial outreach, engagement, & awareness strategies.

66.    Shoot.

67.    Celebrate completion of shoot.

68.    Wrap production.

69.    Ponder the big picture.

70.    Edit.

71.    Revise outreach, engagement, & awareness strategies.

72.    Initiate revised outreach, engagement, & awareness strategies.

73.    Build awareness.

74.    Ponder the big picture.

75.    Complete “Movie”.

76.    Wrap post.

77.    Further revise outreach, engagement, & awareness strategies.

78.    Take to festivals.

79.    Win awards.

80.    Celebrate.

81.    Further revise & implement outreach, engagement, & awareness strategies.

82.    Sell & license “movie”.

83.    Celebrate some more.

84.    Deliver “movie” to licensors.

85.    Further revise & implement outreach, engagement, & awareness strategies.

86.    Market some more.

87.    Screen, screen, screen.

88.    Publicize.

89.    Market some more.

90.    Distribute.

91.    Harvest, aggregate, & analyze, data.

92.    Ponder the big picture.

93.    Share the knowledge with the community.

94.    Win more awards.

95.    Collect profits.

96.    Share the wealth the partners.

97.    Ponder the big picture.

98.    Plan the next one.

99.    Do it all over again, but do it a little bit differently.

 

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Portrait of the Young Artist as a Failure

davidmura's avatarDavid Mura · Secret Colors

I was twenty-seven, in my fifth year of study in an English Ph.D. program, when the director of the program called me into his office.

At the time I had taken a few creative writing classes and written a handful of poems, three or four of which had been published in minor literary magazines. Recently I had been one of two student readers fronting for a featured local poet at an on-campus reading series. The featured poet was my age and had published over four hundred poems. I had no idea how he had managed to do this—either his prolific output of poems or his massive publications. Most of my poems were short surrealist lyrics, much in vogue at the time. Except for a poem about my grandfather’s tiepin, a gift handed down to me by my father, I had not written anything concerning my identity as a Japanese American…

View original post 801 more words

Blogger versus WordPress Blogs – Pro and Con’s

ebooksinternational's avatarSavvy Writers & e-Books online

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Blogging

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Many traditional websites only have 5-6 pages, so the maximum number of times they will ever get indexed by search engines is 5 or 6 times, if they are static pages and not constantly updated.
However,
when you create a blog, every single post you publish has its own URL. Suddenly you can go from 5-6 pages to 20, 50, 100 or over 1,000 at http://SavvyBookWriters.wordpress.com.

If you would like to use a free blog, you have the choice of WordPress or Blogger. Both of them are great blogging systems, but you might be wondering which one to choose. Both WordPress.com and Blogger are great free sites, but which is the right one for you?

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BLOGGER (Blogspot.com)
Blogger is a Google service, and just like YouTube, requires a Google account. It is very easy to use and maintain. With Blogger you get only Google+, Tweet and…

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Please Support Semone’s

I need you all to contribute. Semone Fournillier, who is a Screenwriter from Tampa, who went to UT, and now is getting her Masters at AFI.

For those who know my project on Sexual Violence, know that she is the Screenwriter for it. Please please please, support her Master Thesis Film.

Thank you

http://thedaughtersofeve.com/contribute.php

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Keep Working

Work inspires inspiration. Keep working.

If you succeed, keep working.

If you fail, keep working. If you’re interested, keep working.

If you’re bored, keep working.

MICHAEL CRICHTON

The Open Letter to Philip Seymour Hoffman I Wish I Sent

Very good post.

drinkingtodistraction's avatarDrinking to Distraction

I first saw you in the movie Happiness. Your raw-ugly-beautiful performance cut through to my heart in a way I had never experienced before. “This guy isn’t afraid of anything,” I thought. “He’s fearless.” And you did it again and again: in Magnolia, Boogie Nights, Capote, Synecdoche, Jack Goes Boating, A Late Quartet. Balls out, I would call it now, with great admiration.

More recently I saw you at one of the Happy Talks at the Rubin Museum of Art. You sat with philosopher Simon Critchley and were as real and thoughtful and imperfect as I imagined you. The way you dropped your head into your hand to fully consider whatever probing question your co-host had posed. As if you needed to remove yourself from the presence of all our eager eyes in order to touch something deep inside, to find an uncompromising truth.

At one point he asked…

View original post 580 more words

Yes, the Theater!

Welll worth reading

Danielle Kalamaras's avatarbecoming middlebrow

It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.

Last week I saw a read-through of a play at The Brecht Forum by Justin Kuritzkes titled “Drones: A Protest Play.” Set in a sci-fi, futuristic, dystopian United States overwhelmed by hyper protective government activities, the play questions social liberties and human rights during a technological “Big Brother” age. Scenarios of techno-war serve as the main scenes, with soldiers and aircraft pilots operating drones oversees rather than physically fighting themselves. This sense of safety is liberating for soldiers at first; they sit in…

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reading list 3 Aug 13

Here is my reading list for this week:

“Da Flip Side: by a buddy of mine from the 82nd Jamie Lowe,
Writing in Pictures, Screenwriting Made (Mostly) Painless by Joseph McBride

Akira Kurosawa Interviews Edited by Bert Cardullo

Film Craft, Directing by Mike Goodridge,  by Focal Press which is a great film, photography and theater publishing house. I strongly recommend that you check them out.

http://www.focalpress.com/

South Sudan Documentary

In case you haven’t heard I am doing a full length documentary on South Sudan.  This project fell into my lap about a month, month and a half ago. A friend of mine has been working on something called the Jonglei Peace Initiative which had ended years of ethnic civil war in the state of Jonglei, South Sudan and will bring development to the region and a plan for the rest of South Sudan.  JPI was started by the Diaspora of South Sudan who live here in the United States and Canada.  These men are also known as the Lost Boys of South Sudan and  much has been written about them as well as a documentary done on them.

My documentary will cover many topics: JPI, which is a very important issue to South Sudan’s future,  the tensions between South Sudan and Sudan, which could lead to full scale war, women’s right, freedom if the press, development and education, the rebel leader David Yau Yau and his tyranny and the how does a young democracy survive and grow. I am sure there is more to talk about. Through my research I have become very interested in this project. I and my crew get to document the history of a young  country as it too experiments with democratic rule.

The first leg if this journey is to get to Washington D.C. at the end of March for a conference that is being held with the leaders of JPI and the Vice President of South Sudan.  Then we have to plan our first trip to South Sudan. I am now looking to get this funded. That is the big part now, getting it funded. Where that is going to come from I do not know but I am confident it will come.

My crew; I do have one.  I have Brandon Hyde as our Cinematographer, Tony Tartaglia as our sound guy and William, Billy, Wright as our go to guy for whatever it is we need at that moment.  Tony, Billy and myself have served in the Army. Tony was in Vietnam, Billy in Iraq and me in the 82nd Airborne.  So we have that covered.

I will be writing a lot about this documentary and would love here hear what you have to say and please spread the word. We need to bring awareness of this film and I need your help to do that. Thanks

 

 

 

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