Category Archives: Filmmaking

Review: “The Fat Lady Sang” by Robert Evans

If you are getting into or are a producer, you should study Robert Evens. I just got his autobiography “The Kid Stays in the Picture” From Thriftbook.com Check it out. Oh yeah, there is a Documentary with the same name as the book. Great Doc!

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11 Jun 14

So just to give you all an update about what is going on with me, I have started an outline on my short film about forced prostitution and I am writing character development and back story. I want to have a finally draft in less than 2 months and I am going to have the outline done this week.  I think I have a good film in the works and I  hope , when it is done, you’ll all enjoy it and not feel cheated out of 15 to 20 minutes of your life. I also want to make an impact regarding this topic and to bring awareness to it. I know around my neck woods you are constantly being cheated out of 10 to 25 minutes of your life and I will not follow in the same footsteps.   There is the standard that it has to be maintained  or why put it out. The story has to be spot on, other wise you’ll have a bad film. Remember, script is 75% of your film. Shitty script shitty film. There is no way about squaring that circle.   I haven’t given up on the series. I am still working on it, though I have fallen behind of  the 8 ball but will soon be back on track.

I got my porch/studio set up. I will have some pictures in the day or two. I am ready to go. I plan to have a show in 6 to 8 months.  Now where and who in God’s name would have me in their is remains to be seen.  Once again, if it not good and I will not waste your time; however that being said, I believe I will have something worth showing.

Finally, Semone Fournillier graduated from American Film Institute Conservatory today. As those who follow me know that I have been working with her a project and might be working on a couple more. She is a talented writer and has a amazing future ahead. I am so very proud of her and what she has accomplished.

Oh, in the next day or two I will be writing about a new crowdfunding site.  I think you’ll dig it a lot.

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You’re going to fail. Deal with it.

YOU ARE GOING TO FAIL!!!!!!

Yes, you are going to fail. And fail hard. I am going to fail, and fail hard. I am probably failing at grammar right now.  It is what you and I do with that failure is what is the difference between successful people and those who never rise above.  I have failed numerous times, yet here I am still working and moving forward. I have learned from those failures and make the best out of them.

If your parents never let you failed as a child they truly cheated you out of the best lesson they could given you.  If you are reading this, and you are reading and have kids, let them fail and fail hard.  Then turn around teach them that it it ok to fail. Teach them to get right back up, learn from their mistakes and try again but even harder. This, besides manners, is the greatest gifts you can give.

Here is the truth, I am a shitty ass artist. At least in my mind. Yet I am going back to making art once again. Hopefully I dig some of my work and maybe someone else will enjoy it, or at the very least, lie to me.  Yet I try and learn. One day I hope to make pieces that I will approve of and think it is good. As a filmmaker I have made numerous mistakes, but difference is I have learned from them, and it has made me a better filmmaker. I will fail again and again, and each time take that failure and grow.

Fail and fail hard. Then learn from it and go at  it again.

 

 

 

 

always try

 

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Quick update, 1 June 14. 2:14 am

Ok, so I was asked to join and produce a project; which I had strong reservations about doing.  I am not going to go into the details, but I saw huge red flags go up and now have decided to be a consultant rather than a producer. However, good news, through that process I came up with a film idea for a short film regarding the sex trade; which, as some of you know, I have been developing for a feature film.  Yes, it is heavy subject, but it is something I feel passionately about.  So I will be writing and directing it.  I will need your help to get it made.  I will need you to spread the word about it and when the time comes, need you to kick in some money.

On the other fronts of my lackluster attempts at being an artist, I bought 4 lbs of wheat paste so that I can start working on mixed medium pieces. Also got 3 tubes of paint: black, white and red.  I am talking to some editors to edit Jamie Lowe’s”De Flip Side” and I just got a copy from Jonny Cromwell  book, “82 Days”; which I am going to start reading and strategizing for a release. And of course I have the series that I am developing. Which is an intensive endevour.

I also want you to check out this new crowdfunding site https://dana.io/. I am going to do a review on it this week, and they seem like really cool people that you should look up on Twitter and Facebook and say hi. They are really nice people.

If there is anything you want to discuss hit me up. I would love to hear back from you all.

 

 

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A must read is you are thinking about or just want to know what a producer does.

I just came across this page  that explains what a producer does and what kind of producers there are. THE FILM PRODUCER

It is 8 pages long and I strongly recommend that, if you are thinking about becoming or are a producer you should read this.

Also I want to suggest you, all who are filmmakers, READ about the craft. I know so many people who don’t even one a book on filmmaking yet there they are trying to make films and do a great job at doing a terrible job.  I once worked with a guy who would tell everyone how one day he wanted to become a producer even though he knew nothing about it. He did not  invested in any books and just read the mainstream Hollywood rags.  I have invested hundreds of dollars buying books on filmmaking. I now have  a library. You too can build up a library and you can do it cheaply! I would first start out by going to Thriftbooks.com. This is a great site to buy discount books; in addition to being cheap, there is no shipping cost.  And read on everything. Get books on film theory. I found a book on The Philosophy of Film Noir.  Really interesting and informative.

You must be the smartest guy in the room. It is not who you know but what you know. I say this because if you are not knowledgeable those who you really want to be in contact with won’t give you the time of day. People are attracted to smart and knowledgeable people. Take time to think about that.  I tell you this because I want you to all succeed. I am rooting for you and want you to be the best filmmaker and artist you can be. If you are a painter or sculpture for instance, be well versed in art. You’ll grow as an artist.

Here is another website to a magazine I strongly suggest you read, it is called Bomb Magazine. It is a magazine dedicated to artist, filmmakers, writers, actors and musicians. The difference between Bomb and other magazines is, it is artist interviewing other artist, so, you get a much deeper perspective. I have been reading since I was in the 82nd. I have subscribed for years. Which reminds me, I have to renew.

Ok, i hope you got something from this.  If you have any thoughts questions or suggestion please hit me

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So here is what’s coming up

So I am developing a series that is to be shot here in the Tampa Bay Area. My plan is to shop it to networks and if that doesn’t happen then I will turn it into a web series. I have shared t the idea to some people and I have gotten a lot of good feed back. I have a ton of research and work to do but it is very exciting for me. The series will have many niche  groups and will be substantive as you might except from me.  I love a ton of books to read and the list gets longer. Plus, I read slow so yay for me.  I believe many will groups will enjoy the series while others will hate it. But I have a lot of things to say and it will be honest.

So as for the film on sexual violence and sex trafficking, it is on hold while Semone is off studying at the American Film Institute Conservatory. I am starting to talk about these issues in my blog Notes From Outpost 187. Doing this I raise awareness to the subject and build an audience for the film. An Audience that will be with me through funding,  production and release. I am talking on a very serious subject, and making the film and getting it distributed will be a challenge, so I need to start working on building an audience now. Not to mention, I might be able to find people who will back the film financially.

So I have a stack of films I need to watch. I have 9 films from the library and I haven’t gotten to any of them. I have a bunch from Akira Kurosawa who is my favorite director. I am hoping to knock out as many I as I can this weekend and throughout next week. We will see.

I also am going to be diving into writing. It is something that I should have been doing years ago. I will be, of course, writing here but in my other blogs.  I feel I need to be a writer first and for most. Yes, this means I have to get good at it; as well as my grammar, which I know is lacking. And that is being very kind to myself.

Ok so you all have a great weekend.

Peace, Love and Nappiness

 

 

 

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Film on Sex Trafficking and bloging about sex traffing

Yes, I am still making this film. No, I didn’t forget.

Tim Schroyer's avatarNotes from outpost 187

So I am a filmmaker, multidisciplinary artist, thinker writer. In film I am a producer and director. Back in 2011, I decided to produce a film regrading sexual violence. I teamed up with the very talented screenwriter Semone Fournillier who is currently attending AFI American Film Institute. We did  lots of research and eventually Semone came up with a good screenplay. In it, it dealt with underage prostitution, rape and a predator; which lead me to going deeper into those subjects.

At the same time, I was starting to read post by Dr. Brook Bello on Twitter and Facebook. She is the founder of More to Life and a woman who has been waging war against the sex trade for a very long time, which restarted my interested in the sex trade and how it could be turned into a film. I say restarted because in 2004 I heard…

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I came across this while looking for a document. It is Ted Hope’s 99 Recommended Steps For Making Good Movies. I copied and saved it when it came out so I would always have it.  Ted Hope has been he most influential person when it comes to filmmaking. I never went to film school, so I decided to teach myself. I taught myself how to drive a car and swim, why not film?

I found Ted’s Blog when I first started and have followed it ever since.  Filmmaking and media is changing so fast it is about impossible to see where it will end up. If it ends up anywhere, but instead an ever evolving. He has many great guest writers that give great insight into to today’s film landscape and culture.  If you are reading his blog you are falling behind.

 

This is how I do it, generally speaking.

Or rather, this is how I try to do it. There really is no template; I have to adjust the plan for each project. And it doesn’t always work. Sometimes I fail (at least to some degree).

And yes, I have left out the details. After all, that is where the art, experience, & innovation is. And of course as this is a collaborative endeavor, there is always — and thankfully — that “other” factor.

1.    Maintain wonder & love for the world & most/some of the people.

2.    Recognize the barriers & be empowered by my desire for change.

3.    Find an inspiring idea & the correct collaborator for it.

4.    Maintain love & respect for the film industry.

5.    Develop script.

6.    Fall in love with project.

7.    Get non-financier, non-buyer industry types to give feedback on script.

8.    Maintain wonder & love for the process.

9.    Further develop script.

10.    Maintain respect for collaborator(s).

11.    Identify audience & market for project.

12.    Enhance my enthusiasm for potential of the results of audience engagement with ambitious cinema.

13.    Develop additional materials to properly contextualize project, like image books (aka look books), reference material, blog posts, etc.

14.    Try to locate audience and key influencers for the project.

15.    Develop transmedia extensions (I know I should do this earlier).

16.    Encourage Filmmaker to engage with True Fans (i.e. build community).

17.    Strategize production process.

18.    Ballpark budget.

19.    Evaluate potential cast for project.

20.    Consider possible shooting locations.

21.    Introduce Writer/Director to US Talent Agencies if necessary.

22.    Have Director meet wide range of actors.

23.    Strategize financing.

24.    Strategize casting process.

25.    Develop financing plan.

26.    Execute casting process strategy.

27.    Attach lead actor.

28.    Attach another actor (or two).

29.    Revise financing plan as necessary.

30.    Revise script as necessary.

31.    Estimate possible profit & losses.

32.    Revise financing plan as necessary.

33.    Approach sales agents.

34.    Get foreign sales estimates & foreign sales deal terms.

35.    Revise financing plan.

36.    Budget, ideally in multiple variations.

37.    Approach private equity.

38.    Revise financing plan.

39.    Revise script as necessary.

40.    Get verbal commitments from private equity.

41.    Determine most appropriate & then secure sales agent.

42.    Continue to source additional financing.

43.    Revise financing plan.

44.    Revise script as necessary.

45.    Develop initial outreach, engagement, awareness strategy.

46.    Consider and possibly secure a presale or three.

47.    Revise financing plan.

48.    Revise script as necessary.

49.    Revise Budget.

50.    Consider and possibly secure gap & mezzanine financing if necessary.

51.    Finalize financing structure & partners

52.    Consider & secure key crew collaborators.

53.    Scout primary location.

54.    Revise script as necessary.

55.    Revise Budget.

56.    Secure tax credit/rebate.

57.    Lock all financing.

58.    Lock talent deals.

59.    Lock Location.

60.    Revise script as necessary.

61.    Revise & Lock Budget.

62.    Revise initial outreach, engagement, & awareness strategies.

63.    Prep.

64.    Revise script as necessary.

65.    Initiate initial outreach, engagement, & awareness strategies.

66.    Shoot.

67.    Celebrate completion of shoot.

68.    Wrap production.

69.    Ponder the big picture.

70.    Edit.

71.    Revise outreach, engagement, & awareness strategies.

72.    Initiate revised outreach, engagement, & awareness strategies.

73.    Build awareness.

74.    Ponder the big picture.

75.    Complete “Movie”.

76.    Wrap post.

77.    Further revise outreach, engagement, & awareness strategies.

78.    Take to festivals.

79.    Win awards.

80.    Celebrate.

81.    Further revise & implement outreach, engagement, & awareness strategies.

82.    Sell & license “movie”.

83.    Celebrate some more.

84.    Deliver “movie” to licensors.

85.    Further revise & implement outreach, engagement, & awareness strategies.

86.    Market some more.

87.    Screen, screen, screen.

88.    Publicize.

89.    Market some more.

90.    Distribute.

91.    Harvest, aggregate, & analyze, data.

92.    Ponder the big picture.

93.    Share the knowledge with the community.

94.    Win more awards.

95.    Collect profits.

96.    Share the wealth the partners.

97.    Ponder the big picture.

98.    Plan the next one.

99.    Do it all over again, but do it a little bit differently.

 

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