Category Archives: Editing

Filmmaker Speak 23 Oct 2012

I just wanted to give an update on what is happening to  Filmmakers Speak speaking series; it will be put on hold until January 2013.   I have a lot going on right and the holiday season is coming up.  I am  working on a wonderful line up of speakers, ones that I think will be beneficial to the Tampa Bay area film and art community.

Also during this time I will be looking for sponsors so that I can truly grow Filmmakers Speak to the level that I want  it to be.  I would like to bring speakers from out of town. People Like Ted Hope, Sheri Candler and Jon Reiss. However this will take money and an good infrastructure to accomplish that.

If you have any ideas for speakers,let me know.  I want this to be a two way conversation.

 

 

Tagged , , , , , , ,

Grey Room Trailer and Website. .

Ok I have decided to show the trailer to you all. I kind of have to if  I am to show you the website that our director Preston Walden designed. The trailer for our crowdfunding campaign.  As I have said before, we had a great time shooting this, and  I am really pleased with the outcome.

Check it out the website     http://www.greyroomfilm.com/

Oh and we got our first bit of Press.  The guys at Horrorbug    gave us our first bit of press.  It was a pleasant surprise to us and we look forward to having more.

Check it out

 

Let me know what you all think.

Tagged , , , , ,

Notes from the Grey Room 2

Hey guys. Sorry for not blogging for so long. I apologize for that.  Avoidance seems to effect me from time to time.

Ok so, here is what is going on. We shot the trailer, for the second time, and have it edited, scored and ready to go.  I am debating to show it here now or what until the crowd funding campaign.  We had a great time shooting it and I am pleased how well everyone gets along. It makes life so much easier when the troops are having fun and enjoying each others company.

Some great news about our 1st AD Semone Founillier. She was excepted into AFI”s Conservatory program for writing in California for her Masters. She is there now and will be flying back to Tampa to 1st AD Grey Room. If you remember, she is writing the film on rape for me. I have read what she has so far and it is amazing.   So we are extremely proud of her.

I am happy to announce our new Script Supervisor Mike Rembis.  He brings to our team a lot of experience and is taking care of our shooting schedule. Which takes a big load off my shoulders.  We have a great plan set up and it will allow us to shoot very efficiently.  We have a lot to cover in this film so we need to have a clear strategy to shoot it.  According to  Mike we can shoot this in 35 hours.  I think that is a great and doable  goal.

So now I am concentrating on Pre production and am beginning to research contracts. Yes we are doing contracts for a couple of reasons. One to protect all parties but also to get some experience in dealing with them.  I never have had to so this is a great opportunity for me.  I have one with Jason Cote.  We signed it at the Grey Room Party.

Oh Speaking of Jason, He just arrived to his new home town, LA. Yes he has moved to Hollywood to take his career as an editor to a professional level. Not saying you can’t do that here in Florida, but you can’t do that here in Florida.  It’s Florida.

Tagged , , , , , , ,

Why I don’t do film competitions.

Here in my city, Tampa, Fl, there is the yearly competition in which you have to write, per-production, raise funds, audition, shoot, edit, and do post all in 30 days.   Sound fun right? Yes, if you are new to film or make films as a hobby. However, if you are serious about becoming a filmmaker and do it as a carer then this is  a complete waste of time. And here is why.

30 days to make a serious short film is just not enough time.  Will start with writing. You can bang out a script in a few days? It is done all the time, however you need to edit, rewrite and develop that script.  You need to take the time to develop the best script possible. You should also send it off to a script consultant and get their notes. I know many don’t but it is a good idea to do. This comes from people who do film making for a living.  That is a month you could have taken to develop that script.

Then comes funding raising. If you are fortunate enough to have the money sitting in the bank to shoot your film good for you. You are doing better than most.  It is true you could do a micro budget film, however it will show in the final product. Not to mention you can’t pay anyone who is working for  you.  Sure you could ask around for people to help out for free, and that seems to be a constant thing that happens in Tampa and something I will write about in the future, but are you going to get the best people who will do their best work? The best DP or editor, best lighting or sound? Just a question.  That 30 days could be used to raising capitol via Crowd funding and private investment.

Then comes pre-produciton.  Enough cannot be said about pre-producition. The more time you have to plan the better your odds are of making a successful film. Plan plan plan, is one of the biggest pieces of advice I get from successful filmmakers.  You need to take the time to think and plan out everything. That is a month that could be spent hashing out all the details.

Auditions. You should find the best actors you can find. You should take a thoughtful search for your talent. Sure you can go “hey you want to act in this thing I am doing?” and sure you might have some talented people come work for you. But don’t you think you would be better served if you took the time to look and hold auditions and find the best actors for those role.  Take the time to do rehearsals and table reads?

Post. Do you think you’ll have the best edit, color correction, sound and whatever visual effects and whatever else is needed in just a  week or two. Is it really the best cut you can have? Do you have time to test screen your film to get an audience feedback?

Lets be honest with ourselves, can we be doing something more productive with our time as filmmakers?  Do we want to be know as winners of local film competitions, or do we want to be know as filmmakers who are producing amazing content that is widely recognized.

Here is how I am spending this month: Producing a short film, developing a feature, assembling  a creative team, writing a business plan for my production, taking acting classes, working with another production company on a few of their projects, running PR and social media for the FMPTA and running a filmmakers speaking series.

Russell Hess said it best, “Lets have 48 hours career competition.” Let see where the people who are entering these contest are in 3 years.  I know where I want to be in 3 years and it is not wasting my time on silly little contests or projects.  There  was the NBC Film Festival that I wanted to enter and who’s deadline was 1 June.  By the time we got done with the 1st draft of the script we would have had 30 day to complete. I consulted with filmmakers with whom I respect and that are putting out amazing work. After their advoce I killed the production. I wouldn’t be able to produce the work to the standard that I have placed on myself.

I am sure I am going to hurt some peoples feeling and make a ton of new enemies. However I want to see Tampa Bay film grow, thrive and be taken seriously. That is why I wrote this. This why I go out of my way to help other people without asking for nothing in return. We have to live to a higher standard than what we have in the past.

Tagged , , ,

Tampa Filmmakers Speaker Series is set to go.

It brings me great joy to announce that the Tampa Bay Filmmakers speaking Series has a lock down date, time and speaker, as well as a name for it, “Filmmakers Speak”

It is being presented by The Florida Motion Picture and Television Association, FMPTA Tampa Bay Chapter, and I will be your host. It will be on Saturday, March 24th at  10 am  at Keiser University, 5225 Memorial Hwy Tampa Fl 33634   This event is free and open to the public and will be live streamed.

We are honored to have as our first speaker Russell Hess.
Here is what Russell will be covering.
Some very important questions answered:

1. Packaging, what is it, is it important and why?
2. I’ve written one or more scripts, now what should I do?
3. Why can’t I raise money for my project?
4. Why you should NEVER lower your budget in an attempt to obtain production capital!
5. Can I arrange for a pre-distribution deal?
6. Is it possible to get movie stars in my film or documentary?
7. How will I know if my film can even qualify for a distribution deal?
(and when should I know this?)
8. What is the best kind of distribution deal to get and how soon can I get it?
9.Why do my films never get off the ground, completed, sold distributed
or make any money? (the answer is more simple than you think)
10. How can I have a better chance at getting into a film festival?
11. Which festivals are the best for my film?
12. Which distributors are the best for my film?
13. How can I create a “product” that will have distributors coming to ME?
Russell Hess has been in entertainment for over 25 years. From actor to producer and from sales agent to distributor, Hess has been responsible for independent film releases world-wide. The indie doc, “inGREEDients” helmed by Russell Hess saw a global release in over 70 countries and in 3 languages. Hess and his partners have developed a proprietary IPTV player similar to Netflix and Hulu. The platform will be for independent content only (for now). The big companies are already making the shift from DVD/BluRay and Hess’ company, Commodity Films, LLC is already moving in this direction.

Hess has connections with major and medium-sized companies and partners in various parts of the world for the releasing of any kind of title. Commodity Films operates an “all-digital” process from screening to release. The inventor of the IPTV player arranged a deal with Facebook so the titles can be viewed (and monetized) on the largest social network on the planet.

Qualifications
Executive Produced/Produced/Co-Produced nine successful feature films
• Co-Produced two Documentary films
• Designed and developed world-wide distribution models for documentary films
• Develops independent feature films from concept to release
• Forms strategic partnerships to create financially viable projects
• Creative visionary, show business consultant, innovator and inventor

Tagged , , , , , , , , , , , , ,

Need you suggestions

Hey all crowd sourcing time. I am trying to come with a name for the Filmmakers speaker series.  This will be a monthly engagement by local professional filmmakers covering a wide range of topics. Please send me suggestions.

Tagged , , , , , , , , , , , , , ,

Update on Film Speaker Seminar

Ok well here is a bit of good news. Keiser University is allowing me to use their campus to hold the film speaker seminar. I have some really good people lined up and will be announcing the first date soon. It is my hope to help the Bay area’s film community become stronger and better equipped with knowledge and the tools to be successful.

I plan to hold them once a month. They will be about 2 hours with a 10 minute break.  I am still working on details.

Also if you would like to be a sponsor please contact me at timschroyer@gmail. com

 

 

Tagged , , , , , , , , , , , ,

What a difference a an editor can make

What can an editor do for you?

I have worked with 3 editors so far. The first one I worked with was a disaster. He couldn’t take the simplest of directions, was a know it all and just couldn’t edit.  On one of the the music videos I worked with him on I refuse to acknowledge.

Then I recently worked with Miles Harris on the Bomb Shelter music video. Let it be known, he made that music video to what it is. He had a vision and the skills to carry that vision out.

Now I am working with Jason Coté who is editing a trailer I directed and has turned it into a really good piece. And when finished it will be something to be proud of. It will be out soon. He is slugging away at the final cut and it should be out in a week and a half.

So the moral if the story is this post, find a good editor. Pay that editor because it is money well spent.  Editing is so important andI am sure you have seen many films and a lot of music videos where the editing was atrocious. Editing can make or break your project. Find a good one and someone you trust.


Tagged , , , , , , ,